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Our direct, personal relationship with our winegrowers has always meant extra quality and value for our customers. Now, more wines than ever are available to Moore Brothers, but you may never know about them unless you take advantage of our "special offerings" through email.

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Archive for learning – Page 2

free wine preservation kit!

By David Moore
Thursday, January 20th, 2011

orangina bottle

This bottle holds a slick 10 oz. of liquid, and has a re-sealable cap. I keep lots of things like this around; 8 oz. Pellegrino bottles, 12 oz. “ice tea” bottles – anything like ‘em that are made of glass, and have re-sealable tops.

Before I pour for Susan at dinner, I fill one of these puppies up to the rim, twist the top on, and stick it in the fridge. Why? Because Susan and I rarely finish more than half a bottle at a time (we always have to get up early and face the next day).

This is the only “wine preservation system” I know of that
A: Doesn’t harm the wine like the “vacuum” pumps, or “gas” will (I know ALL about “wine preservation systems,” and never found one that doesn’t hurt more than help), and
B: Isn’t some goofy product marketed to people who don’t know any better, that sells for outrageous sums (after all, aren’t “wine people” flush with “disposable income?”).

This week Susan’s been traveling, and I’ve enjoyed a number of different wines poured from Orangina bottles (quickly labeled, so I remembered what was in them). Works like a charm.

Posted by David Moore

Categories : learning
Tags : learning

riesling on the tasting table

By greg
Thursday, January 20th, 2011

Riesling grapes

I do encounter it less frequently these days, but all of us who man the tasting table at Moore Brothers (especially when we have visiting producers from Alsace and Germany) still hear it often enough: “I’ll pass on the Riesling. I only like dry wine.”

Of course, the likelihood is that the Riesling in question is drier than most California Chardonnays, but that’s not the point. We all prefer sweet ripe fruit to sour green fruit. Probably eat ice cream, too. In fact, we all like sweet things. We’re primates, aren’t we?

“I’ll pass on the Riesling. I only like dry wine.”

Now I’m only a huckster, but believe it or not genuine wine authorities like Hugh Johnson and Jancis Robinson are happy to proclaim their opinion that Riesling is the king of grapes; more noble, in fact, than Cabernet Sauvignon, Merlot, or Chardonnay.

Here’s why:
Riesling describes in detail – eloquently – exactly where it grows, provided it’s happy where it grows. It’s like a sensitive FM tuner that finds the “frequency” of each unique location, and amplifies it. So a wine made from Riesling grown in the Rheingau could never be mistaken for a wine from Alsace or Lake Seneca.

Pinot Noir alone is as sensitive to its environment. So it’s no coincidence that Pinot Noir and Riesling were selected by the monks, who were the stewards of viticulture in the Rheinland and Burgundy through the centuries between the fall of Rome and the French Revolution.

And because even very ripe Riesling retains high levels of acidity, both dry and sweet wines can be made. And sweet wines made from Riesling are never stupid sweet like cotton candy at a baseball game. They’re sweet like ripe fruit. In fact, the really distinguishing characteristic of Riesling isn’t sweetness. It’s acidity.

And Riesling gives some of the longest-lived natural wines, which can evolve over decades in a cool cellar, developing aromatics and flavors that can barely be inferred in the young wine.

All that explains why British aristocrats of the early twentieth century routinely paid more for fine German Rieslings than for classified growth Bordeaux. They recognized among them some of the finest wines in the world.

Remember, there are only two kinds of wine in the world: good wine, and the other kind. We’ll only offer good wine for you to taste, so don’t let a bad experience you may have had with a terrible wine that happened to be sweet (or white, or red or whatever) deter you from trying everything on the tasting table at Moore Brothers. We only have good wine, not “the other kind.”

Posted by Greg Moore

Categories : learning, riesling
Tags : learning, our stores, riesling

brunello scandals

By David Moore
Thursday, January 20th, 2011

brunello di montalcino

Thanks to customer, Isaac Rivera for pointing out this little report of fake Brunello (no, really?) that’s making some waves in Italy

Seems some famous, “top” producers of Italy’s storied, famous, and most expensive wine have been “juicing up” the wines for the “American market.” I find this particularly amusing since apparently the “experts” in our “wine press” have happily continued to “rate” the fraudulent wines positively, and have no clue that the wines are, in fact, fake.

This just brings up yet another example of self-proclaimed, self-aggrandizing “experts,” who have no real “knowledge” to impart, just repeating pablum so that they can be “plugged into” the wine “scene.”

It’s also, yet another example of how luxury has lost its luster. So much “wine” that’s marketed to us is bulls**t, fake junk, trading on the name of a place that was once special.

My “expert” advice is as follows:
Don’t buy anything without knowing the “provenance.”
Whether it’s wine, olive oil, or food, it’s becoming increasingly difficult to rely on the marketing budgets of multi-national, publicly-trade corporations to provide us with truthful information.

Posted by David Moore

Categories : industrial wine, learning, tuscany
Tags : learning, tuscany

“luxury” has lost its luster

By David Moore
Thursday, January 20th, 2011

lux cover

I always go back to this quote from Greg:
“It comes down to this: we honor the terms of the implicit contract expected by consumers of wine: that the product is indeed the result of careful, sustainable agriculture, artisan craft and responsible handling.”

Now that’s what we’re talking about…wines, handmade, to the very highest levels of quality, by artisans who are truly qualified. Back in the days of European royalty (let’s exclude the current residents of Buckingham palace), such artisans were sought out by courtiers – buyers for the royal families, to guarantee the quality of goods sold to the royal households.

After the First War, with royalty largely out of fashion (and power…and money), the market for “luxury goods” were the new, rich industrialists – the few who could afford the work and raw materials that went into producing the goods. Again, the goods were produced by hand, by artisans. Artisan production houses like Gucci, Louis Vuitton, Prada, Chanel, etc., sold to a small group of people who were wealthy enough to afford their products. The attraction of these “luxury goods” was their limited availability, and high-quality.

These days, it’s probably a good idea to look beyond the luxury “brand,” and find out if the goods in question really ARE “indeed the result of careful…artisan craft.”

Newsweek writer, Dana Thomas just published a book called Deluxe: How Luxury Lost its Luster, in which she points out that most “luxury” clothing and handbag brands are now owned by multi-national, publicly-traded corporations. Along with this, she explains how the “luxury” products manufactured by these “brands” are now, largely, being produced in “developing nations,” NOT by craftsmen/women, but by assembly line workers who may (or may not) receive two weeks of training via video or through translation during a visit to the factory by an “old world craftsman.”

One particular company, the Valentino Fashion Group (brands include Hugo Boss, Valentino, M Missoni, Marlboro Classics, and Lebole) went from paying Italian clothing workers the equivalent of $18 dollars per hour to paying workers in Egypt the equivalent of 88 CENTS per hour to manufacture their “luxury brand” clothing (prices didn’t decrease to reflect the new efficiencies). What used to be rare, is now ubiquitous, and the quality has dropped dramatically.

I have no qualms with making a profit through one’s work. But if the work in question isn’t of the quality that’s promised by marketing, well then…what, “buyer beware?” Over the last 30-some years that I’ve been around wine, I’ve seen the same thing happen over and over: whenever production “ramps up,” and “brands” “diversify,” the quality goes to hell. The price NEVER goes down (except in the case of “2 Buck Chuck,” which, in any event, is honest about what it is), and the marketing and advertising would lead any consumer to believe that the products are still “the result of careful…artisan craft.”

Lest you worry that I’m an elitist, worried that it’s no longer possible to tell the hoi poloi from the well-heeled, that’s not my point. In fact, Moore Brothers Wine Company consistently proves that “luxury” need not be the exclusive prerogative of the wealthy – you can find outrageously good wine (all perfectly cared for, and in pristine condition) for less than $15 bucks a bottle, and it will be (unlike a more famous “luxury brand product”) “indeed the result of careful, sustainable agriculture, artisan craft and responsible handling.” And that’s a real luxury.

You can listen to Dana Thomas talking about her book and the “luxury” industry in this interview with Leonard Lopate from WNYC in New York:

Posted by David Moore

Categories : learning, our stores
Tags : learning

more on yeasts in the vineyard

By David Moore
Thursday, January 20th, 2011

Interesting little clip from Andreas Von Canal talking about yeasts in the vineyard – which brought to mind an earlier post this week. So I thought I’d pass this along…

Posted by David Moore

Categories : germany, learning, our winegrowers, travels
Tags : learning, our winegrowers
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