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Special Offerings
Our direct, personal relationship with our winegrowers has always meant extra quality and value for our customers. Now, more wines than ever are available to Moore Brothers, but you may never know about them unless you take advantage of our "special offerings" through email.

Small lots of previously unavailable wines, or larger lots from our established winegrowing partners (with special pricing) are offered every week...but they sell out quickly!

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Author Archive for Susan Albarran

the art of the spittoon

By Susan Albarran
Thursday, January 20th, 2011

spitoon

The practice of spitting out wine has always been a curiosity. How can you truly taste something if you don’t swallow it? After all, the lower back of the tonque must contribute something to the flavor. And why would you want to spit it out if it tastes good?

It was at a Moore Brothers tasting event where for the first time I observed, first-hand, people using a spittoon. The ritual prior to spitting consisted of swirling the wine in the glass, sticking the nose into it, taking wine into the mouth, swishing it around, and sucking in air.

At one point, I was off to the side of one of the tasting tables, near a spittoon, attempting to catch the guests using it. A gentleman approached and started talking with me about the wine. We were just a few sentences into our conversation when out of nowhere I blurted out, “Do you spit?”

He looked at me strangely and after a few moments of silence said, “expectorate.” I felt like a big horse’s bottom.

My colleagues expectorate so nonchalantally, and quite elegantly, in a quick, clean, steady stream. For a long time I couldn’t bring myself to try it in front of them for fear of committing some expectorating faux pas.

But recently, after considering the many nights of mild tipsyness and indegestion, I felt it behooved me to learn. So I decided to let down my guard and just start doing it.

At one point, I was off to the side of one of the tasting tables, near a spittoon, attempting to catch the guests using it. A gentleman approached and started talking with me about the wine. We were just a few sentences into our conversation when out of nowhere I blurted out, “Do you spit?”

For guidance, a colleague referred me to the “degustibus” articles by Greg on the Moore Brothers web site.

A key factor is getting the wine to “every surface inside your mouth, including between your lips and teeth and as far back as possible.” Chewing (yes chewing the wine!), is also important; it helps “move the aroma toward the most sensitive part of the olfactory epithelium, where we smell, via what is called the retro-nasal passage, that connects our mouths with our noses.”

Going through the motions (the swirling, smelling, swishing, etc.) feels extremely awkward. The most challenging part for me is overcoming the urge to swallow. But sucking in air and chewing the wine really does aid in getting a tasting effect.

Expectorating itself is not as easy as it looks. More often than not, the wine dribbles from my mouth. And it can be somewhat dangerous; one of my first few attempts resulted in a back splash from the depths of the spitton straight into my eye. Got a little too close I guess.

Greg offers some comforting words in the article: “Don’t be self-conscious about how it looks or sounds, and don’t be shy about spitting. Good tasters develop good aim, and practice will make it all seem natural.”

Yep…before long it’ll be just another night at the store, tasting and expectorating wine.

-Susan Albarran

Categories : learning
Tags : learning

anatomy of a german wine label

By Susan Albarran
Saturday, January 15th, 2011

feinherb label

A friend and I got together and were going to “order in” Thai food for dinner. I, of course, offer to bring wine.

Some general rules of thumb in pairing wine with Thai food are that the wine should be low-tannin, light, fruity, and (if the food’s spicy), have a touch of sweetness. My highly knowledgeable colleagues at the New York store helped me pick the Wiltinger Schlangengraben Riesling Spätlese Feinherb Weingut Johann Peter Reinert 2005. (It’s almost as exhausting to type as it is to say.)

I meet my friend and her roommate at their 5th floor walk-up apartment in the East Village. It’s August and they don’t have A/C, so it’s feeling like an oven…I’m hoping the wine is refreshing.

Before we open the bottle, it occurs to me that this is an opportune time for me to practice speaking about wine. I’ve discovered that speaking about wine is similar to speaking another language: you can know hundreds of random words, facts and figures but having to articulate them is a completely different thing.

I start with the basics: The wine is a Riesling. Riesling is a type of white skinned grape historically grown in Germany. I freeze. I’m looking at the wine label with all the long, funny German words and drawing a complete blank. I had first laid eyes on the bottle only about an hour earlier so there was no time to study it. “Relax…they’re my friends…they won’t judge me”, I tell myself.

Luckily, I remember the German wine class I had recently attended at the store. Greg showed six German wines, and the various parts of the wine labels were reviewed. Typically a German wine label consist of the name of the village, vineyard, grape, ripeness level of the grape (if it’s a QmP wine – see notes below), and producer.

I decide to dissect the wine label for my friends, word by word, based on the how they appear on the tasting note that comes with all the wines at Moore Brothers.
Wiltinger is the village in which the vineyard is located. Schlangengraben is the name of the vineyard. Reisling is the grape from which the wine is made. Spätlese means late harvest (here I attempted to digress into the different picking times and ripeness levels of the QmP wines but although I know them in my head I’m having difficulty explaining…I decide to spare my friends and move on). Feinherb: OK, I have no idea…will look this up later. Weingut signifies the wine is estate-bottled. Johann Peter Reinert is the producer. Done! – that wasn’t so bad. My friends ask a lot of questions and seem to have genuinely enjoyed the exercise.

We open the wine and begin to drink. It’s wonderful. It’s light, delicately sweet, and has a slight hint of effervescence – absolutely perfect for a hot summer evening. My friends really like it too. It’s going down so easy. I’m surprised to see my friend drink so much (she rarely has more than one glass). We’re having such a great time talking, laughing, drinking, and before we realize it, it’s been over an hour, and we completely forgot to order the Thai food. It’s around 9pm, at which time I’m usually about to chew my arm off if I haven’t eaten. But I’m feeling a comforting sense of satiation (and I’ll admit, slight inebriation). I think to myself, great company + great wine can = meal replacement.

Notes:
1: QmP (Qualitätswein mit Prädikat). The top “legal” German wine designation. QmP wines may not have sugar added to the fermenting juice to raise the alcohol level. They must indicate the Prädikat (ripeness level) of the grapes at harvest which is denoted by the following:
Kabinett (full ripeness), Spätlese (late-harvest with higher sugar levels than Kabinett), Auslese (selected late harvest), Beerenauslese (individually-selected grapes usually affected by botrytis), Trockenbeerenauslese (individually-selected grapes that are both affected by botrytis, and raisined on the vine), and Eiswein (grapes of intense ripeness, picked and pressed while frozen – usually not affected by botrytis).
Moore Brothers provides free tasting notes on all the wines in the store. They contain information about the wine, including the producer, regional history and cuisines with which it pairs well.
Oh, and Feinherb is a term used for a style of wine which falls between halbtrocken (half-dry) and fruchtig (fruity). Designations such as these, are dependent on residual sugar levels balanced against acidity, and differ between growing regions within Germany.

Categories : germany, learning
Tags : germany, learning, riesling

appreciating artisan wine, letting go of expectations

By Susan Albarran
Friday, January 14th, 2011

winemakers at moore brothers wine company

It’s been a little over seven months since I started working and learning about wine at Moore Brothers. I have to admit, there have been many moments of frustration and often feeling I’m not learning (or drinking) fast enough. There’s much to know: the appellations, the grapes, what the wines taste like, the vintages, background information on the producers, food pairings…

Many of these things are simply a matter of committing facts to memory. Others aren’t so cut and dry. For example, what a wine tastes like.

It never ceases to amaze me how dynamic some wines can be; how they transform over time, from hour to hour. Even with less complex and dynamic wines, they might taste a little different from day to day. I’m struggling with expectations. It’s pointless having any, considering how often they’ve been defied.

When winegrower, Peter Fischer visited the NY store last November, I was excited to finally try the Priorat Trio Infernal cuvées (mostly because they’re a bit out of my budget at $50 and $100.

Based on my research on Priorat wine I expected they’d be super “big”; high in alcohol and tannin. The minimum alcohol content by volume required for a Priorat is 13.5%. And these come in at 14%. Surprisingly, they turned out to be delicate and very drinkable; a characteristic, I was told, that stems from the Peter’s (and Laurent Combier’s, AND Jean-Michel Gerin’s) approach to winemaking.

On another evening I was extremely lucky to try the Domaine Henri Germain Meursault Perrieres (even MORE $), a white Burgundy (aka “Chardonnay”). There was such an intense, buttery richness on the nose I expected it would be just as rich on the palate. Upon tasting, the phrase that immediately came to mind was “in like a lion and out like a lamb”; starting off full and rich in the mouth, finishing with a gentle, refreshing acidity. It was an exceptionally “well-balanced” wine, as they say; when the components of fruit, acidity and alcohol are in harmony.

I used to think I’d know what a wine tasted like based on the predominant grape used in making the wine (the “varietal”). I learned pretty early on to not put too much emphasis on the grape.

Some customers adamantly claim disliking a particular “varietal” – Chardonnay is a common dislike – with California Chardonnay being their only experience. But California Chardonnay is as far from Burgundy Chardonnay as the U.S. is from France. Even within Burgundy you can find worlds of differences between wines made from Chardonnay.

Real wine is so much more than its grapes. Equally important are who, where and when: the producer’s vision; the appellation and terrior; the year the grapes are harvested and the age of the wine. The natural synergy of these elements embody artisan wine with nuance and character (unlike “industrial” wine which often have various elements broken down, manipulated and made to taste the same year after year.)

And yes, it’s this synergy and having to consider, with an open mind, the elements separately as well as interacting as a whole that makes learning and knowing about artisan wine so challenging. For me, it’s the challenge that makes the learning experience so rewarding. And, although I wasn’t specifically seeking to appreciate wine – appreciation found me.

-Susan Albarran

Categories : learning
Tags : learning

rosé drink down

By Susan Albarran
Thursday, January 13th, 2011

rose

I was in a funk. All my winter “dates” with wine and the cold weather had me feeling like a bear in hibernation; I wasn’t much inspired to cook, drink or blog.

But with the onset of warmer, sunnier days it occurred to me: what better way to come out of hibernation than to share some lovely Rosé with some close friends? “You are cordially invited to a Rosé drink down,” the subject line of my e-mail invitation read. There would be some home-made food as well, but I decided to not put too much thought into pairing since I selected four Rosés each with very different qualities:
Corte Gardoni Rosé Bardolino Chiaretto
Proprieta Sperino Rosa del Rosa
Chateau Calissanne Cuvee du Chateau
Dominique Roger’s Domaine du Carrou Sancerre Rosé.

At the gathering I ask my friends (before we dig into the food and get rip-roaring drunk), to let me pour the wines for them to taste one by one. I’ve been a little frustrated with my ability to “sell” wine, which at Moore Brothers simply involves talking about the wine. Sounds easy enough, but there is a lot to know and that can be said about the wine, and I sometimes find myself getting brain-freeze (which may, or may not, have to do with the store’s temperature of 56 degrees).

Although I well know that a wine is so much more than its grapes, at the very least I try to memorize the grapes that make up the wine, the region/country which the wine is from, and what it generally tastes like (light/heavy bodied, smooth/rough tannin, etc.). These are the things it seems the “average” customer likes to know. (I often hesitate with describing what a wine tastes like because it can be so subjective and is often relative).

Back to the drink down…

I start with the Bardolino: “This is an Italian Rosé from the Veneto region. It’s a blend of three grapes: corvina, rhondinella and molinera.” We drink. A bunch of mmms are murmured. “It tastes so different than it smells” one friend comments. I explain how that’s often the case; the aroma of a wine is not always indicative of the taste. I also mention how some wines can have slightly off-putting aromas (barn-yardy old Burgundies, petroleumy old Rieslings) but then on the palate, it’s a completely different experience.

Next the Calisanne: “This is a French Rosé from Provence. It’s made up of Grenache, Cabernet Sauvignon, and Syrah.” One friend asks, “Cabernet Sauvignon is a grape? All this time I never knew. Sorry if that’s a stupid question.” I tell my friend no one is born knowing all these things, so there are no stupid questions. We taste. More mmms fill the air.

Next the Sperino: “This is an Italian Rosé from Piedmont. It’s mostly Nebbiolo with some Vespolina.” At this point, the mmms reach a climax. (We’ve had this wine open at the store’s tasting table for the past few weeks and I’ve lost count of how many anti-Rosé converts we’ve had because of it.)

Last the Sancerre: “This is French Rosé from Sancerre, in the Loire Valley. It’s 100% Pinot Noir.” As we taste, I realize I’ve made a mistake in the ordering of the flights. I can’t taste a thing. My palate is overwhelmed by the Sperino. The Sperino is the biggest-bodied, most textured wine of the four and, therefore, should have best tasted last. The Sancerre Rosé, being very delicate, should have been tasted first.

I’m not sure if my friends notice, or care for that matter, because at this point we’re deep in laughter and talking about much more scandalous topics than wine. There’s a sense of tipsiness among us as well – and, I firmly believe, not solely from the alcohol in the wine but from their beauty. This is part of the romance of wine: how good wine can be so uplifting, and is often made better when shared with special friends.

Posted by Susan Albarran

Categories : rosé
Tags : learning, rose

on the costs of food & wine

By Susan Albarran
Thursday, January 13th, 2011

tractor

“Does it taste good?,” a woman asks me.

I was at the Union Square greeenmarket and had just bitten into a piece of French sorrel from Jim Grillo’s Northshire Farms. I’m chewing, waiting for the tangy, lemonyness to kick in, and expecting some bitterness. The lemonyness came, vividly bright and refreshing. The bitterness did not.

“It tastes wonderful,” I say.

I mention to farmer Jim my surprise at the lack of bitterness. “That’s because it’s from real French seed,” he explains.

“As opposed to?” I ask.

“American junk. Mine might look a little funny but it tastes great,” he declares.

Sorrel, and other produce, is often cultivated to yield specific characteristics of size (usually the bigger the better), and shape, all at the expense of flavor and nutritional value.

As I purchase Jim’s sorrel (as well as his tasty ramps and true, wild dandelion greens), I’m thankful for all the small farmers accessible through the greenmarkets here in the city. I appreciate that I can talk with the farmers and ask questions about their food and work. Just like at Moore Brothers – it’s a special experience when one of our wine growers visits the store to showcase their wine and I can see the faces behind some of the wines I like so much.

Last Sunday the New York Times published a wonderful op-ed piece by Dan Barber, chef and co-owner of Blue Hill restaurant, “Change We Can Stomach,” extolling the many virtues and benefits of small-scale farming. But one particular statement gnawed at me:
“If financially pinched Americans opt for the cheapest (and the least healthful) foods rather than cook their own, the food industry will continue to reach for the lowest common denominator.”

Financially pinched? Considering this day and age of monthly bills for cell phone, deluxe cable, high-speed Internet, designer clothes and the weekly (perhaps nightly for some) $15 cocktails, it seems even those who are not “financially pinched” focus on cost over quality when it comes to food and wine.

It surprises me when people ask if Moore Brothers carry any good “$10 and under” wines – a concept that seems to have been floating around for at least ten years. Ten years ago, many of the monthly expenses mentioned above weren’t as common or excessive. So there has to be more to it than being “financially pinched.”

I have many theories on this. In short, they involve a tangled web of ignorance, priorities, and how quality and healthy are defined:

(A)We are so separated from our food source these days and therefore, simply unaware of the many “evils” in the food industry (abused, sick animals raised in unsanitary factory-farms, synthetic, nitrogen-based fertilizers used to grow commercial produce that pollute the environment, mega-purple and wood chips in wine). And…

(B)We’d rather spend more money on things other than food (I should know – during my fast-foodie years I would have paid more for a “pleather” handbag before paying more for pasture-raised chicken.); and we have very disparate, perhaps flat out wrong, ideas on what constitutes quality and healthy (I used to think I was being healthy for eating “vitamin-fortified foods” like Cheerios and Balance Bars).

These days I really make an effort to learn about food issues, and expose myself to real food and wine. And I find that just like Northshire Farm’s French sorrel, the small-farm, artisan-produced wines available at Moore Brothers might “look a little funny” (i.e., they’re not from big name, familiar producers) but they taste great and are a product of sustainable (some biodynamic), well-farmed vineyards and traditional, artisan wine making.

Categories : learning, our stores
Tags : learning
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